 【展讯信息】 主办单位： FFA当代艺术中心 承办单位： 艺潮微艺会 策展：浩宇 展览时间：2018年12月15日——2018年12月30日 地 点：FFA当代艺术中心 地 址：南京市江宁区龙眠大道668号龙庭水岸别墅区12-103 E-MAIL：fallforarts@hotmail.com 收藏热线：18061600015 官网：www.fallforarts.com Entrepreneur Fall For Arts Undertaker Artstide Executive curator Vastspace Duration 12.15,2018 --12.30,2018 Venue FFA Contemporary Art Center Address No.103,Block12Villa,LongTingShuiAn,668LongMianDaDao,JiangNingDistrict,Nan jing. artstide@hotmail.com Tel 18061600015 Web www.fallforarts.com 【注意事项】 周一闭馆，周二至周日开放 公众开放时间：10：00am-17:00pm 【展览前言】 【意识·自觉】是FFA ART SPACE2018策划的第一个年度展览，我们从人的意识和人的自觉出发，洞察那些人性的耀眼的来自艺术的光芒，张扬那些在艺术上追求差异化和独特性的艺术家，将个体和社会共关联。这个展览一共邀请了涵盖北京、上海、重庆、武汉、哈尔滨、西安、郑州、济南、南京等重要城市的20位中青年艺术家。展览采用艺术案例切片的方式，从侧面或者一个角度出发审视我们当下的艺术，多元的而保持独立性的艺术特质。 我们深知我们正处在一个大变革的时期，艺术所遭遇的困境也是空前的，生态的变化和艺术家个体的命运交织在一起。画廊作为机构出场，我们尽量规避作为商业机构所特有的局限性，真正从学术的角度或者说社会学的角度，去看待这样一个展览。所以看上去，这个展览每一个艺术家的面貌都不同，材料也不同，年龄也不同，这就注定了这个展览的多面性，也同时给观众提供了一个可思考的空间。 "Consciousness·Conscious" is the first annual exhibition curated by FFA ART SPACE in 2018.Starting from people's consciousness and people's self-conscious, we insight into the dazzling light of human nature from the art and promote those artists who pursue differentiation and uniqueness in art.They will connect individual to society.A total of 20 young and middle-aged artists from major cities such as Beijing, Shanghai, Chongqing, Wuhan, Harbin, Xi ' An, Zhengzhou, Jinan and Nanjing were invited to this exhibition. The exhibition presents art case letting us to examine our current art with diverse and independent artistic traits from the side or from a perspective. We all know that we are in a period of great change, and the predicament of art is unprecedented.Ecological changes is intertwined with the fate of individual artists. Galleries as an institution in such environment, we try to avoid the limitations of commercial organizations and we want to see exhibition as an academic research or sociological study. That is why every artist in this exhibition has a different face, different materials, different ages.The exhibition is doomed to be multi-faceted, but also it provides enough space for audience to think. 北京是中国名副其实的艺术中心，那里有着最为丰富的艺术家群体，而日渐备受挑战的一级市场体系考验着画廊的发展，艺术家的生态环境也面临着特别挑战。我们陆续和北京的艺术家建立着深度的紧密的合作关系，始终关于艺术家的艺术状态。这次我们邀请的是2013年画廊首个推出的艺术家个案董亚萍，她的作品从禅宗出发，以线的游离转换作为特征创造出了自具特点的抽象作品。而艺术家谭琴是画廊的老朋友，她今年举行了首个个展，作品生猛而具有个体的精神经历，焕发出的气息足以征服观众。近几年进入艺术视野的女性艺术家袁媛被业内广为关注，她的作品以魔法般的语言建立了独特的丰富的情感世界。与袁媛同样毕业于中央美院的另一位青年艺术家毛嘉在新工笔上和他的同一时代的艺术家郝量一样，在后制品领域，架起来的是利用维度空间重新审视我们的现实。 Beijing is art center in China, where many artists gather there. Increasingly,the primary market and gallery development are all being tested.Also, the artist's ecological environment is also facing huge challenge. We have been working with artists in Beijing to establish a long-term and close cooperation.Paying attention to the artists’state is what we have to do. Dong Yaping is the first case of artist introduced by our gallery in 2013.Her work which is inspired by Zen thought creates its own distinctive abstract via disordered lines.And artist Tan Qin is an old friend of the gallery. She held the first solo exhibition this year. Her work with individual spiritual experience have enough ability to conquer audiences.Another female artist Yuan Yuan who has been widely concerned has entered the art field in recent years .She built a unique and rich emotional world in magical language. Mao Jia, young artist who graduated from the Central Academy of Fine Arts has built up dimensio. 上海是一个具有着特殊地位的国际大都市，是艺术生态相对健康的城市，艺术家也是相对独立，余德耀美术馆和龙美术馆、上海民生美术馆已经成为中国非常重要的艺术阵地。而国际性画廊先后入驻，也势必带来了新鲜的活力和空气，西岸艺博会和ART021、影像上海以及上海双年展也是直逼国际水准，所有的有利条件必然引导着业内的变革，这也是上海成为瞩目的焦点所在。年度展览“意识·自觉”我们邀请了5位艺术家，其中影像艺术家三水以外滩和黄浦江系列为代表，他的作品建立在东方美学下的后制品观念的再砸。而绘画装置艺术家陈清勇则利用青砖作为媒介对于现代社会的人进行表现置入。不可忽视的是抽象领域的两位80后才俊，一位是青年艺术家冯玮的静物系列，淡雅而充满东方意识。另一位艺术家王钦的作品也在于“景”，充满着神秘而玄妙的东方文化。时代发生着巨变，越来越年轻的艺术家进入我们的视野，特别值得推荐的是94年的涂鸦绘画艺术家陈俊江，作品生猛而充满着个体精神，为了虚拟对抗虚拟是他作品的重要特质。 Shanghai is an international metropolis with special status.The city has a relatively healthy art ecology and artists are relatively independent. The Yuz Museum and Dragon Art Museum, Long Museum and Shanghai Minsheng Art Museum were very important artistic positions in China. With the entry of international galleries ,fresh vitality and air is brought to Shanghai such as the West Bund Art Fair,ART021, PHOTOFAIRS Shanghai and Shanghai Biennale.These exhibitions mentioned above are highly concerned all around the world. In "Consciousness and conscious" of the annual exhibition, we invited 5 artists including the image artist Sanshui.“The Bund” and the”Huangpu River”series are his representative works which are based on oriental aesthetics under the concept of post-product. Installation artist Chen Qingyong made use of bricks as medium to present people in modern society. It can not be ignored that two young artists borned after 1980s.One is artist Feng Wei. “Still Life” series look so elegant and full of oriental consciousness. Another artist is Wang Qin. "scene" is full of mysterious oriental culture. Times have changed dramatically, more and more young artists is entering into our horizons, especially the graffiti painting artist Chen Junjiang who was borned in 1994.His work is powerful and full of individual spirit. This kind of virtual confrontation is an important characteristic of his works. 重庆是川美力量的大本营，是中国现代艺术发展进程中颇为重要的关键部分，而我们最近几年感受到青年艺术家在新的艺术格局里面，如何建立和他们的前辈一样的影响力已经是一件相当困难的事情了。不可否认的是川军的力量依然雄厚博大，而对于青年艺术家而言，建立自我远远胜过一个团体的荣耀，我们从这个方向上，选择了青年艺术家李晓奇参与年度展览，他在现代叙事结构里关注人性的问题和社会的进程，这是中国艺术家在现代艺术上的特点，而他能够从保守的现代出发关照社会，是可贵的。我们需要特别说明的是由于我们自身的短板，我们目前对于川美新青年的认知是有局限性的。 Sichuan Fine Arts Institute is located in Chongqing,China,which is a crucial part of the proceeding of modern Chinese art.In recent years, we have felt the effect of young artists in the new art landscape.How to shape the influence like their predecessors has been a very difficult thing. Admittedly, the art power of the Sichuan province is still strong.For young artists, the establishment of self is more important than the glory of a group. Follow this direction, we chose the Young artist Li Xiaoqi to participate in this annual exhibition.He pays attention to the problems of human nature and the process of society in the modern narrative structure.This is the characteristic of Chinese artists in modern art, and it is valuable that he can take care of society from the conservative modern concept. What we need to say in particular is that because of our own shortcuts, our current perception of the youths in Sichuan is limited.
湖北的当代艺术独具光芒，尚扬、曾梵志、朱振庚等等一大批艺术大家云集，可谓蜚声海内外。包括中青代的力量也是各具特点，我们始终在这个方向上保持密切的关注点。可能正如我们认识川美一样，我们对于武汉相对陌生，但是不可否认的是这次邀请的两位艺术家，都具有相对特点。一位是严支胜，他目前在上海美院读博士，但是他大部分的艺术历程是在湖北完成的，他的阵风系列作品具有深厚的艺术修养，直击时代，让他在艺术特点上建立了以观念反馈社会的现代话语空间，又不乏当代性。另一位青年艺术家高德强，在极少主义绘画上的表现也可谓不俗，今年个展推动以来，业已成为关注的新锐力量。他的作品以直角和弧线表达现实情感和极简哲学思维。 Contemporary art is unique in Hubei where so many artists live and work there such as Shang Yang, Zeng Fanzhi, Zhu Zhengeng and so on.They are all renowned at home and abroad. The power of the young generation is also distinctive.Perhaps we are relatively unfamiliar with Wuhan, but it is undeniable that the two artists invited this time have different characteristics. One is Yan Zhisheng who is currently studying PhD in Shanghai Academy of Art, but most of his artistic creation is completed in Hubei. “Gusty” series involved profound artistic accomplishment so that he built modern discourse space to reflect society.Another young artist, Gao Deqiang, has done well in minimalist painting, After his solo exhibition this year,he became the new focus of the public attention. His works express realistic emotion and minimalist philosophical thinking through right angles and arcs. 无中有偶，我们对于哈尔滨和西安、郑州和济南等地的了解是缺乏的，但是正如我们这些年认为云贵广西是出好艺术家的地方，我们又怎能否认其他地区的艺术家力量呢，作品是艺术家唯一的核心，是真正立足和建立影响力的基石。画廊同样如此，特别值得肯定是来自哈尔滨的艺术家张灏，他的作品“翻译的政治”系列历时五年，相当于一个西风东渐在翻译转向过程中的社会精神大百科。来自西安的艺术家李勇，是我们首次关注的艺术家，他的新作品所建立的是对艺术生存现实的反抗，这源于他的工作室被拆除。而来自济南的艺术家李明，他所建立的是在传统媒介纸本水墨上利用黄土色朝向抽象和具象特质的东方绘画。另一位值得肯定的是来自郑州的青年艺术家李书天，他的作品是建立在时间凝固或流动状态下综合媒介的运用，是对多维度绘画空间的创造。 We lack knowledge of Harbin and Xi 'an, Zhengzhou and Jinan, but we know so many excellent artists are in Guangxi province. how can we deny the strength of artists in other regions? The core of artists is their work which is cornerstone of influence. The same is true in the gallery.Especially Zhang Hao is from Harbin.His work "Politics of Translation" series are equivalent to a great encyclopedia of the social spirit in his translation. Li Yong who is from Xi 'An insist on against reality of artistic survival because his studio was demolished. Li Ming, an artist from Jinan, has established an oriental painting that uses new materials to intervene natural colors with abstract and figurative characteristics on traditional ink paper. Another to be sure is Li Shutian, a young artist from Zhengzhou, whose work is set up in the state of time solidification or flow.He is good at using comprehensive media and creating multi-dimensional painting space. 作为南京本土的一家画廊，我们非常遗憾的是六年以来，我们的贡献是渺小的，关注的焦点也始终在上海和北京等地，这势必对我们在本土和艺术家的建立的关系是陌生的，当然我们也相当程度上和南京许多青年艺术家在过去几年建立了良好的互动。南京是水墨重镇，他的重要性是不言而喻，傅抱石、钱魏亚宋、林散之、朱新建，现当代表现也相当不俗，诸如毛焰、徐累、沈勤、丁方等等杰出的艺术家也是蜚声海内。南京处于江南之地，和毗邻杭州十分相似，他的独特气候和地理位置塑造了独特的艺术韵味。当然生活的舒适性也适当降低了青年艺术家的活力，但不可否认，南艺美术馆和四方美术馆所建立起来的国内影响力和视野是非同凡响的，不仅如此2018年扬子江艺博会的新面孔也是很值得关注的，所以我们对于这个城市是具有信心的。最近几年，南京活跃着青年艺术家和我们的画廊同道一起和美术馆做出的努力也是有目共睹的。我们这次特别邀请了艺术家阎盈汐进入年度展览，她的绢本设色系列“站台”消解了具体的景观和人而着重于通过不可见的表达赋予我们批判性的想象空间。另一个有着东西方维度上的青年艺术家司静也是首次进入我们的视线，她的女人体系列是从个体状态出发对于女性内在心理的关照和折射。而艺术家金晶是我们画廊相对熟悉的一个女性艺术家，她是活跃在画坛上的具有着抽象和具象特点的艺术家，另面江南是她的代表风格，是对江南文化的情感抒情。另一个位艺术家王承东，也是从”江南切片“这一角度对于江南人文的重构和批判，他也是完整的经历了从江东村到幕府山再到方山艺术家的体制外艺术家。 As a local gallery in Nanjing, it was pity that our contribution was not huge in the past six years, and most of people still focus on several places such as Shanghai, Beijing,etc. Although we had already established good interaction with many young artists in the past few years. Nanjing is hometown of ink painting.Fu Baoshi, Lin Sanzhi, Zhu Xinjian, Mao Yan, Xu Lie, Shen Qin, Ding Fang and other outstanding artists gathering in Nanjing are renowned in the sea. Nanjing locates in Jiangnan ands its unique climate and geographical location create special artistic atmosphere. Of course, the comfort of life also appropriately reduces the vitality of young artists, but it is undeniable that AMNUA and Sifang Art Museum has some influence.This time we specifically invited the artist Yan Ying to attend the annual exhibition. "Platform" series dispels specific landscapes and people and focuses on giving us critical imagination space through invisible expression. Si Jing, another young artist with an east-west dimension, is also entering our sights for the first time, and her “Female Body” series is a personal state of care and refraction of women's inner psychology. and artist Jin Jing is a relatively familiar female artist in our gallery, she is active in the art world with abstract and figurative characteristics of the artist. Another artist, Wang Chengdong, "Jiangnan slices" is related to the reconstruction and criticism of Jiangnan humanities. 年度展览”意识·自觉“固然经历了一个相当长的时间，展览文本梳理一项就耗时31天，但是我们必须做出说明的是，这样一个展览难免有不充分或者不具代表性之嫌，但是我们抱着这样一个严谨的形而上的学术态度，提出问题和思考，又不得不说这20位艺术家的作品的确深具各自的艺术特点，而且他们大都是在艺术探索路上的艺术家，尤其是几位青年艺术家的表现是令人惊喜的。在这个展览的梳理过程中，我们对意识的延展能力无法展开长文说明，而特别需要做出重点的是“自觉”，文艺复兴以来，现代艺术进入了长达150多年的绘画历程，当下也和当代交织在一起，尤其我们处于后现代社会时期，西风东渐，传统回归，思潮涌动，这样的社会命题摆在眼前，势必为学界研究提供了相当丰厚的资料。而最重要的是启蒙意识和现代文明，是我们急需要补充的常识，而我们所能做到的就是通过这样一个“展览切片”，和上一次群展“青年艺术再出发”，一样共同构成了我们对艺术的片面思考，欢迎业内批评和指导也是我们实实在在的初衷。
The annual exhibition "Consciousness and Conscious" has gone through a considerable period of time. Also,we took 31 days text processing .Although our preparation for this project is going on for long time, we must declare that such an exhibition still exist inevitably inappropriate or not representative. So we hold such a rigorous attitude and would like to listen your advises.Besides, it has to said that the works of the 20 artists do have their own artistic characteristics and most of them always explore the road to art , especially the performance of several young artists is surprised to us. During the process of this exhibition, we can not explain the ability of the extended consciousness via long phrases,but we focus on "conscious", since the Renaissance,more than 150 years of modern painting art has left abundant information for studying. And the most important is the consciousness of enlightenment and modern civilization that is common sense we need to know. At present, we are willing to accept the criticism and guidance through this exhibition.Thank you for your suggestions and supports! |
主页 | 进行中展会 | 年度展会 | 展现 | 艺术展示 | 无限计划 | Art for Sale | 展会日程表
艺潮微艺会 | FFA博客 | FFA YACHANG Page | FFA sina Feed | Google+ | LinkedIn | Instagram | 隐私政策
Copyright & Disclaimer - 2012 FFA, 保留所有权利 技术支持
