试验·无国界NO.04：意义和无意义

FFA ART SPACE常设性展览项目“试验·无国界NO.04：意义和无意义”，从2017年冬天开始，到现在已经进行了四场。这一展览最重要的在于让艺术家可以“回头看”，清楚自己的作品在艺术中的位置，也同时在展览组织结构中进一步从空间结构和作品之间寻找到最佳镜面。

意义和无意义，前者关乎时代和社会中的当代性，后者在于完全从个体出发，无意义到一切都无意义。无论是前者还是后者，在艺术本源出发，都是立得住的。2019年，我们将取消这一展览项目设置，让艺术家在创作中清楚自身的方向和立场。艺术实际上一场私下的较量，毕加索和马蒂斯，弗洛伊德和培根，他们之间的相互竞争，恰恰成就了彼此。我们希望艺术家能够在中国乃至国际的视线下，勇敢走出自己。这一年特别致敬艺术家赵中锋，他在工作室中完全照见自己，而在“回头看”的展览结构中，始终保持着另一个敬畏。

FFA art space's permanent exhibition project "experiment · borderless No.04: meaning and meaninglessness" has been held four times since winter 2017. The most important thing of this exhibition is to let the artists "look back" and know the position of their works in the art. At the same time, in the exhibition organization structure, they can further find the best mirror between the space structure and the works.

Meaning and meaninglessness, the former is related to the contemporariness of the times and society, the latter is totally from the individual, meaningless to all meaningless. Whether the former or the latter, starting from the origin of art, are viable. In 2019, we will cancel the setting of this exhibition project to let artists know their own direction and position in their creation. In fact, art is a private contest. Picasso and Matisse, Freud and bacon competed with each other and achieved each other. We hope that artists can bravely walk out of their own under the vision of China and even the world. This year, he paid special tribute to the artist Zhao Zhongfeng, who completely saw himself in the studio, and kept another awe in the exhibition structure of "looking back".

▲赵中锋，《欢乐》（Happy.），2017，丙烯木板，160x40cm。图片：FFA ARTSPACE

▲吕良军，《不是世界变小了，而是自己长大了》，2018，油彩布面，120x120cm。图片：FFA ARTSPACE

▲胡宗祥，《风景中的风景No.1》，2018，油彩布面，116x90cm。图片：FFA ARTSPACE